Reversed Curses

WORK IN PROGRESS

Artist’s book: full colour: 48 pp: London, Juice Publishing: Edition of 50

Wall texts, framed LightJet photographs and duratran prints in light boxes: sizes variable: Edition of 5

14 reversed web 14 22 durga_lightbox detail

Using combinations of his poems and photographs, this project continues Coombes’s research into the capacities of photography and poetry to inhabit fictional voices.

In ‘Reversed Curses’, we see the world from the viewpoint of Aarav, a conductor on the Indian Railways. As he approaches retirement, Aarav muses on working life. His ‘curses’ are ‘reversed’ in that the pressures of working life can cause him at times, to hate the things he loves. Work itself, especially work one does not want to do, can be extremely draining and yet for most people is of course essential to life itself. So Aarav’s voice is splenetic but also comic, fearful, melancholic and loving.

reversed

   Artist’s impression of Artist’s book: full colour: 48 pp: London, Juice Publishing: Edition of 50

The project undermines visual clichés of colourful, ‘incredible India’ and also touches on issues around empire and bilingualism, in particular English’s status as an ‘other’ to Hindi in North Indian culture. Coombes’s work has always tried to complicate photography and the artist does so in this case by constructing and taking pictures from moving trains. In Coombes’s words, all travel, but train travel in particular, ‘dramatizes through exaggeration how time and especially our lived experience of time, cannot be stopped’. The project’s title also plays on the repetition and reversals of train journeys and the paradox that, as Kierkegaard wrote,

                  ‘Life must be understood backwards. But it must be lived forwards’…

2 reversed web 2 11_MG_0517 corrected v3tif

Installation view of work in progress exhibition, the Other Art Fair, Victoria House, London, 2016

3 reversed web 3 15 _MG_0596

4 reversed web 4 12 _MG_0532 c corrected

6 reversed web 6 16 BengalNagpur_Railway_Construction_Photograph_No_09-1

7 reversed web 7 17 reaper_MG_0477

8 reversed web 8 18a _MG_0549

9b reversed web 9b18b bucket boy_detail_31 _MG_0605 w custom lens correction lightbox

10c reversed web 10 8 aarav_dilip_MG_0168

11 reversed web 11 18g_MG_0539-2 white layered

11b reversed web mathura_MG_0112_lightbox detail

 

TWO HALVES OF THE HEART

Marrying her; settling here:

my life’s cardinal, cardiac error.

Only realising it now aged sixty-eight

through train-window and rear-view mirror.

 

Or marrying her; settling here:

This flood of love means your heart’s not alone.

Nursing it gently at that time in your life

when it bursts or it turns into stone.

 

12 reversed web 12 8 lakshmi_MG_1554 copy

 

ti kcuF THE TASKS

I tick off the tasks that come faster and faster,

tick off th tska for an inकार्यvisible master;

Fstaer and fsater I tikc off the tskas ‘til I’m

bsuting my balls for old mबेवकूफोंen in thier masks.

 

I’ll tear off the spare tusk of my elephant master

Who ticks me off with his notes from Veda Vyāsa

Tear train tickets in two ‘til I’m kicलातking the bucket

I tkc uf लानत है I fukc it I fuck IT I FUCK IT.

 

13 reversed web 13 21_MG_0552-2

14 reversed web 14 22 durga_lightbox detail

15 reversed web 15 22b _MG_0592

15b reversed web lucktrain_bridge_4 _MG_0532 v2 lightbox

16 reversed web 16 24 Garib Rath...12 IMG_4725

26 reversed web 26_MG_0607

27 reversed web 27 _MG_0605

N.B. All images on this page, copyright Justin Coombes except 6th from top: copyright Townshend Photography, and 13th from top, copyright http://www.calendarsfromindia.com/.